
4th floor
Management
Two producers in charge. They choose the films, set the price of each one and sign off six times along the way: nothing costly goes ahead without their approval.
- 1The budget
Studio Razzia · A new-generation film studio · Paris
Hollywood-grade films, a hundred times cheaper. At the helm: film professionals with thirty years in the business, and a production method we invented ourselves, at the cutting edge of AI.
A studio action film often costs more than 50 million euros. Your 90-minute feature at Razzia: 300,000 euros, all included, that is 6 squares out of 1,000, 0.6% of that budget.
What you no longer pay for
Sets and soundstagesShooting crewsExtrasStunts and pyrotechnicsTravel and lodgingEquipment rentalDays lost waiting for the light

Inside the studio
A film comes in on the top floor and works its way down to the screening room. On every floor, its AI agents. At every step, the producers’ sign-off. In the basement, the machines that power it all.
Scroll to step inside

4th floor
Two producers in charge. They choose the films, set the price of each one and sign off six times along the way: nothing costly goes ahead without their approval.

3rd floor
The script becomes a film on paper. The agents break down every shot, keep the bible of characters, sets and costumes, and build the sets in 3D before shooting.

2nd floor
For each shot, the operator picks the best AI engine on the market. The script supervisor checks every frame (faces, continuity, lips) and the repair desk fixes a shot without redoing it. The pilot scene locks quality and cost before the whole film is launched.

1st floor
The edit arrives ready in DaVinci Resolve. Then grading, mixing, and a master to each broadcaster’s specs.

Ground floor
The film reaches the screen: in cinemas, on streaming platforms and on social media, in each one’s format.

Basement
The studio’s memory keeps the bible, every take and every cost: each film makes the next one faster. Next to it, the market’s AI engines, tested day and night by our watch agent.
The factory in numbers
2
producers in charge
11
AI agents, each at its post 1
6
producer sign-offs 1
For each shot, the best AI engine on the market, with no single-vendor lock-in.
The method · Kung-Fu Town, scene 11, shot 10
01 · The setWrecked restaurant

Daylight through the street windows
Broken chairs: where Wang will land
Rice, bowls, lanterns: the mess from shot 11.1
02 · The charactersLee, Wang

03 · The movement3.30 s
0.20 sHook
0.45 sBlock
0.95 sPalm strike
1.70 sSlow motion, flight
2.95 sImpact
04 · The shotOne take
Character sheet · 4 views




Kung-fu master, 65. Navy Chinese jacket, grey hair pulled back.
Character sheet · 4 views




Outlaw. Topknot, tattooed chest, braces, black trousers.
Kung-Fu Town, scene 11, shot 10. Three seconds and thirty hundredths: an old master, a tattooed brute, one palm strike.
Just like on a real set, the shot is built in layers. Each one is written, then signed off before the next.
The Shanghai Surprise restaurant, wrecked in the previous shot. Built once, empty, and reused identically in every shot of the scene.
Lee and Wang each have their own sheet: front, profile, three-quarter, full body. A face, a topknot, a tattoo never change from one shot to the next.
The choreography is written to the hundredth of a second, like a staged fight: hook, block, palm strike, slow-motion flight, impact.
Everything comes back together. A single take, checked frame by frame before it reaches the edit.
The films
A thriller, an action western, an animated series. Three projects shot by the studio, three genres European cinema rarely dares at this price.
Series · Social and platforms
The same factory also makes animated series: a 3D series for YouTube, a puppet series for phones. Same agents, same frame-by-frame control.
Puppet series · Comedy · Vertical format
Plouzy-le-Creux won 80 million in the lottery, and the ticket has vanished. The local TV station investigates: one villager per episode, about fifteen seconds of testimony, a single question. Who’s lying?
The witnesses · with sound, in French
3D animated series · Comedy
Croquignol, Filochard and Ribouldingue are back in business, in 3D. Ten-to-twelve-minute episodes, made for YouTube and the platforms.
Test shots · scroll
The Heist
Vault No. 1908
The feature film
Your 90-minute feature, on the scale of a studio film. €300,000, all included, no surprises. From script to master in 2 to 3 months.
Price your filmPricing
We charge by the minute of finished film, from script to master, all included. The rate depends on the total running time: the longer the project, the lower the rate per minute, across the whole film. The price you are quoted is the price you pay.
The Heist · feature film
Rate per minute
by running time
An average rate, applied to every minute of the film. The longer the project, the lower it goes: characters, sets and lighting serve every scene.
All included, no surprises. The price quoted is the price you pay.
Get the firm quote00 · To get started
Firm, signed quoteTwo documents: your film's production dossier, in A4, and a short presentation for your meetings and your financiers. Everything you need to decide, and to win people over.
Fully deducted if you go ahead with the Scout or the film within three months, six months for a feature or a season.
03 · The feature film
FlagshipA 90-minute film, 4K master, platform versions and dubbing in two languages. Paid in stages, at each sign-off.
No surprises: the price quoted is the price you pay.
01 · To convince
A 90-second financing trailer, with music, title cards and a poster. Deducted from The Heist if the film goes ahead.
02 · To test
A short film or the 26-minute pilot of a series, ready to show a broadcaster.
04 · The series
A full season, animated or live action, on the same rate card: the pilot builds the world, the following episodes benefit from it.
We lower the bill in exchange for a share of the revenue, and we take the film to our network: international sales agents, distributors, platforms.
Prices exclude VAT, from script to master: visual development, production, editing, music, sound mix, grading and master included. Once quoted, the price does not move. Offers for professionals only, under our terms of sale.
The process
Two to three months from script to master. Every stage ends with your sign-off, and every sign-off triggers a payment. One single decision point: it is yours.
5 days · from €990
First images, breakdown, schedule, budget and firm quote. Deducted from what follows.
15 days
Visual bible, character sheets, financing trailer.
If not, you keep the trailer to raise funds.
2 weeks
Animated storyboard of the whole film, signed off scene by scene.
5 to 7 weeks
Production in blocks, with a screening every week.
1 week
4K master, platform versions, dubbing, poster.
The studio
Thirty years of filmmaking on one side, ten years of production on the other, and a tool we built ourselves. We write, direct and sell films; our production method, at the cutting edge of AI, makes them a hundred times cheaper.
Writer · Producer
Writer of Case départ, Le Gendre de ma vie, Opération Portugal and Grégoire Moulin contre l'humanité. Director of Fool Moon. Producer of BAC+12 and On aurait dû aller en Grèce, sold to Netflix.
Producer · Technology
AI specialist. He founded Monkyshot, an advertising agency, and has produced many projects as an executive producer: web series, including Warz, broadcast on TF1 group channels, and short films, including Chateau Kindberg. He built the studio's method, its software and its production agent.
Animated portraits made with AI, with the consent of Jérôme L’Hotsky and Jean-Philippe Fraiseau.
The awkward questions
Judge for yourself, on your own film: nothing costly starts before you have seen images of your story, first the Scout trailer, then the pilot scene, made first. Behind that, every character, set and lighting setup is fixed before production, every shot is checked by the producers, and the film is graded and mixed like a studio picture. The films on this site were made this way.
There are no surprises at the end: you sign off each stage before the next one starts. The budget, then the characters, sets and style. Then the animatic, where every shot in the breakdown already exists as an image, cut to the music. Then the pilot scene, made first, and finally the edit. Nothing is made without your go-ahead, and one round of notes at every stage is included in the price. The film you receive is the one you approved, shot by shot, whether it is a trailer, a short, a series or a feature.
Five working days for the Dossier, fifteen days for a trailer, five weeks for a short or a 26-minute pilot, two to three months for a feature, from script to master. The studio is built like a factory: the agents work continuously, the producers sign off at every floor, and several films move forward at once without waiting for each other. The only timing that does not depend on us is how quickly you sign off.
Because our cost is production time. On a long project, characters, sets and lighting serve more scenes: the average rate per minute goes down, across the whole film. That is why a minute of a feature costs almost three times less than a minute of a trailer.
No. The price quoted is the price you pay: visual development, characters, sets, production, editing, music, sound mix, grading and master. Only VAT is added.
The first answer is: within 48 hours, from your synopsis, we tell you whether we will make the film and in what price range. The firm quote comes with the Dossier, your film's complete production dossier: €990 excl. VAT up to 10 minutes, €1,990 excl. VAT up to 52 minutes, €3,900 excl. VAT for a feature or a season. It is fully deducted if you go ahead within three months, or six months for a feature or a season.
You do. The exploitation rights are assigned to you on delivery. With the co-production option, we share the revenue under an agreement signed before production.
Your script is read by the producers only. Tick the box in the form and we sign a non-disclosure agreement before reading it. The characters, sets and images created for your film belong to you along with it: they are never used for another project.
When a project uses a real actor's voice or face, that actor is hired and paid, with their written consent.
Send a script
Send us your project. Within 48 hours, a free first answer: whether we will make it, and in what price range. For a firm quote, order the Dossier. Your script stays confidential.